Sea Wolf sails on White Waters
Thursday, October 22nd, 2009 by Flint

Alex James Church is a nutter.
When Stanislaus was released and I was all madly in love with it, I figured it would be an amazing taster from the new Sea Wolf album. Turns out it wasn’t, it was just a session bonus track that won’t be included on the album. Which brings us to today’s question, why on earth not?
That said, it’s not like White Water, White Bloom is without high points of its own, even if we’re not getting the brilliant sophomore breakthrough we were expecting.

Alex James Church is a nutter.
When Stanislaus was released and I was all madly in love with it, I figured it would be an amazing taster from the new Sea Wolf album. Turns out it wasn’t, it was just a session bonus track that won’t be included on the album. Which brings us to today’s question, why on earth not?
That said, it’s not like White Water, White Bloom is without high points of its own, even if we’re not getting the brilliant sophomore breakthrough we were expecting.
One of my favourite new discoveries this year, introduced to me by our very own Indiepawsian Mag, has been Alex Brown Church’s Sea Wolf project whose warm, autumnal pop songs with acoustic melodies and stylish string embellishments have delighted my days in the guises of the 2007 debut Leaves in the River and its pre-decessor EP Get to the River Before It Runs Too Low, both excellent recordings. And now, terribly sneakily (okay, it’s not like I’ve watched the band’s news sites like a hawk though so I’m most likely relaying ages old info), there’s info on the band’s new album.
