I’ve got puppy powers
Thursday, March 19th, 2009 by Flint

I truly believe that The Boy Least Likely To are one of the most special groups going on at the moment. Based simply on quality there’s a lot of special and fantastic musical artists around of course and I’d rate several of them over TBLLT (excuse me for using the acronym) on my personal “artists that really mean loads to me” list but The Boy Least Likely To is one of the more special in the way that they have really managed to hit their own little niche where no one else really goes, at least not to the same extent, and they’re fantastic at it. Sure there’s a lot of cutesy and twee bands going on but no one really uses as much toy pianos, glockenspiels, banjos and other whimsical instruments as much. That’s not the point though: the point is in the lyrics. The Boy Least Likely To uses the rose-tinted views on nostalgic childhood memories as the basis of their music, a look back to when life was simpler and contrasting it with all the human neuroses we have and the pains of growing up and having to abandon the happy world. It’s their forté, their niche and Jof Owen crafts lyrics about the matter in a very, very brilliant manner.
The long-awaited second album The Law of the Playground sees a slight shift in focus for the band. While the brilliant debut The Best Party Ever liked to contrast happy music with pessimistic, neurotic and insecurity-riddled tales of the more adult world hidden in the guise of kid-like musical imagination, The Law of the Playground focuses more on the child’s side of things. Sure a lot of things here are pretty ambiguous but this time the lyrics – at least to my eyes – are more about the imaginative wonders of childhood and the essentially tiny but personally big we all faced when we were young as well as the loneliness of being the odd one out from the all rest of the kids in the schoolyard.
In essence, The Law of the Playground captures childhood, its ups and downs, into musical format. It’s children’s songs for adults.

I truly believe that The Boy Least Likely To are one of the most special groups going on at the moment. Based simply on quality there’s a lot of special and fantastic musical artists around of course and I’d rate several of them over TBLLT (excuse me for using the acronym) on my personal “artists that really mean loads to me” list but The Boy Least Likely To is one of the more special in the way that they have really managed to hit their own little niche where no one else really goes, at least not to the same extent, and they’re fantastic at it. Sure there’s a lot of cutesy and twee bands going on but no one really uses as much toy pianos, glockenspiels, banjos and other whimsical instruments as much. That’s not the point though: the point is in the lyrics. The Boy Least Likely To uses the rose-tinted views on nostalgic childhood memories as the basis of their music, a look back to when life was simpler and contrasting it with all the human neuroses we have and the pains of growing up and having to abandon the happy world. It’s their forté, their niche and Jof Owen crafts lyrics about the matter in a very, very brilliant manner.
The long-awaited second album The Law of the Playground sees a slight shift in focus for the band. While the brilliant debut The Best Party Ever liked to contrast happy music with pessimistic, neurotic and insecurity-riddled tales of the more adult world hidden in the guise of kid-like musical imagination, The Law of the Playground focuses more on the child’s side of things. Sure a lot of things here are pretty ambiguous but this time the lyrics – at least to my eyes – are more about the imaginative wonders of childhood and the essentially tiny but personally big we all faced when we were young as well as the loneliness of being the odd one out from the all rest of the kids in the schoolyard.
In essence, The Law of the Playground captures childhood, its ups and downs, into musical format. It’s children’s songs for adults.
